
Motion graphics + stock
Clean vector, bold type, real footage cut in. The workhorse.
Video, images and voice, made from scratch by your agent in one of nine house styles. No shoot, no freelancers, no agency retainer - and no waiting three weeks for a round of amends.
Every frame is work we have actually made. Choose a style once and everything after arrives in it.

Clean vector, bold type, real footage cut in. The workhorse.

Painted, film-grade character animation. Warm light, real emotion.

Physically lit 3D characters with depth and weight.

Oil-paint soft focus, warm-to-cool gradients, dreamlike light.

Layered paper shapes, hard shadows, tactile depth.

Dark room, amber and green glow, holographic figures.

Pencil and ink line work, colour filling in as work completes.

Tiny 3D scenes with tasks popping up as floating objects.

Photoreal presenter built from a still. No camera, no studio.
Sixty-second launch cuts, product demos, social films. No shoot, no crew, no location.
Hero shots, ad stills and thumbnails in the same style as the film they sit beside.
Narration in the voice you choose. Rewrite the script and it re-records itself.
One film, several languages, the same presenter's voice and lip movement.
For the posts that stop a thumb: movement, depth and light rather than a slideshow.
Square, portrait and landscape from the same source. No reformatting by hand.
Choose one of the nine house styles, or send us a reference you love and the agent learns it.
One paragraph: what it is for, who it is aimed at, how long it needs to be.
Video, voice and stills come back in your style, on your brand, in minutes rather than weeks.
Schedule straight to your channels, or download and publish it yourself.
An estate agent with twelve listings, a studio with three clients, a consultant with a newsletter. Two or three videos and a handful of images a week, made in the evening rather than quoted for by an agency.
Marketing has the plan and no production capacity. The brief sits in a queue until a freelancer is free. The agent clears the queue inside the week, in the brand's own style.
The retainer buys the same three films every year. Bring that budget in-house and it becomes a volume you set, not a scope you negotiate.
A film, an ad, a week of posts. We will show you what the studio makes of it before you commit to anything.